Showing posts with label toni noel. Show all posts
Showing posts with label toni noel. Show all posts

Wednesday, October 31, 2012

An Exciting Time Travel Romance "Rising Above" by Toni Noel


Rising Above







When modern-day tomboy Wilda Stone is blown back through time to 1874, her hot air balloon crashes above the Owens Valley. Stoic undercover agent Hal Grantham comes to her rescue, promising to take her to the silver mining town of Cerro Gordo. A severe sand storm keeps him from keeping his promise and forces them to seek shelter overnight in a cave, compromising her reputation and forcing Hal into a marriage of convenience.

Wilda is a misfit in Cerro Gordo, too, where their turbulent marriage is filled with adventures, adjustments, and above all else, loving. Then a diphtheria epidemic sweeps through the silver mining town. This same disease felled Hal's first wife and child, so to guarantee Wilda a long life Hal secretly repairs her balloon, and then sends her back to her own time, shattering Wilda's heart. Is her love for her terse husband strong enough to bring this headstrong Caltrans flagperson safely back to Hal's time?



An Excerpt


While the borrowed garments hugged her body with unexpected softness, her reflected image in a long skirt stunned Wilda. She cared little for dresses, and had never worn long skirts. Even as a child, she'd avoided dress-up events. Give her a pair of well-worn jeans and broken-in boots and she was content.

How would she manage those crooked stairs without breaking her neck?
She tried to emulate the way she'd seen Dottie lift her skirt and glide up the stairs, but Wilda's awkward movements only served to hamper her instead. She would trip herself for sure, but she wouldn't need these skirts for long.

Once she found a way to leave...

How could she be certain she could find her way back to her home? Back to her own time?
If only the wind hadn't...

One moment the air was still. The next, she was rushing toward the forbidden magnetic field, the wind at her back and the flame of her furnace extinguished, her balloon out of control.
She had the unpredictable wind to blame for bringing her to Cerro Gordo, although at some future time she wouldn't mind at all visiting here, given the opportunity to choose the time.
The year 2012 would do just fine.

What year is this? And how do I go about leaving here and returning home? The room was growing dark. Wilda ran her hand along the wallpaper beside the door in hopes of finding a light switch.

She tried the other wall. Nothing.

At last she noticed the matches and oil lamp on the table, the lamp so like the treasured antique one her grandmother had prominently displayed. She'd overlooked it. Wilda lit the lamp, adjusted the wick, and admired her reflection in the clear glass globe.

The soft glow from the lamp subdued the color of her auburn hair. Highlights flickered in unexpected places. For once her generous proportions pleased her, softened to acceptable curves by the welcome circle of light. Her cheeks glowed with excitement -- or windburn -- but her stomach growled from hunger.

Someone tapped on her door. She took a hesitant step toward it. "Yes?"

"Miss Stone? Are you presentable? It's Dottie. May I come in?"

Wilda turned the key in the lock, slid the bolt, and finally opened the door. Dottie stepped in. Hal followed, quickly shoving the door closed.

"My, my, aren't you the pretty one," Dottie said, giving her a tentative smile, but Wilda hadn't missed the worried look her visitors exchanged. "Are you ready for dinner?"

"Oh, yes. I'm quite--"

"Look, Wilda," Hal said, impatiently interrupting her. "There's not much time to explain because we're late for supper. Just remember, whatever happens downstairs, follow my lead. Understand?"

What did he anticipate happening? They were only going to eat a meal. She gave him a puzzled nod.

"Good. You'll be eating at the table with Dottie and me." As if by habit, he touched the gun strapped to his hip. "I guess we're ready, then."

Wilda's heart gave an anxious flutter, but anticipation far outweighed any worry she entertained as she and Dottie trooped out into the hall. Hal followed. Ace fell in step behind when Hal moved out in front. At the head of the stairs they paused.

From below came the rumble of rowdy voices. Wilda's pulse quickened. To her surprise, she had no difficulty descending the stairs.

Dottie reached the main floor and ducked into a small room furnished as a parlor. The others followed, and all but Wilda engaged in a whispered conference. While waiting for them to finish, she noticed an Inyo County newspaper and a copy of Peterson's Magazine on the lamp table nearby.

Casually, Wilda unfolded and lifted the paper. The headline read "Lone Pine, California Rebuilds Following Disastrous Quake." Dated October 1, 1874, the lead article detailed the devastation that had occurred on March 26, 1872, when an earthquake shook residents of the quiet valley from their beds.

Is this October of 1874?

The corners of the newspaper were dog-eared from frequent handling, but the printed pages showed no sign of age. Wilda estimated the paper couldn't be more than a week old.
A hard knot formed in her stomach. Now she knew the year, she could no longer deny her worrisome suspicions.

Somehow, she had stepped back in time. Her pulse throbbed.

What else had happened in 1874?

The chase for gold in California had slowed to a crawl then and the Civil War had ended.
What else? Was California a state yet?

With all her heart she wished she'd paid more attention to her history lessons.
Why did it matter? Women weren't yet allowed to vote, she was sure.

Without giving Wilda sufficient time to absorb the reality of her predicament, Dottie turned toward the jumble of voices and entered a large paneled room. Wilda had no choice but to drop the newspaper and follow.

Oil fueled glass chandeliers hung from the ceiling. White oilcloth covered the tables arranged in three long rows. She remembered the shiny surface from her childhood. As Wilda entered, a hush fell over the room. A dozen miners sat at each table, their eyes all turned on her. Forks halted in mid-air. Although she followed close behind Dottie, Wilda's skirt caught on a chair leg, tripping her.

Her cheeks heated. Clumsy goose.  Hal, who had somehow wound up behind her, reached to steady her by placing his hand on her upper arm. Her cheeks burned hotter still. Careful now of every step, she watched the placement of her feet with lowered gaze.

From the corner of her eye she saw Hal stop long enough to hang his Stetson on a peg by the door. For some unexplained reason, she took comfort in the sound of his steps behind her.
Dottie led the way to an empty table, showed Wilda where to sit, and headed for the kitchen without waiting for her friends to take their seats.

Hal held Wilda's chair, bending to whisper in her ear, "Dottie's seeing to the food."
He took the place on her right and gave the occupants of the room an intimidating look. Wilda frowned.

Ace sat at the end of the table, surveying the room, his eyes never still, his shoulders tense, waiting, as if he expected something to happen.

What?

Wilda couldn't comprehend the need for a bodyguard, or for the whispered words and knowing looks she'd so far observed but, following Hal's instructions, kept her questions to herself.

Dottie and Chang Li placed white pottery bowls heaped with stew before the newcomers, and then Dottie sank into the vacant chair across from Wilda. The other diners didn't resume talking until Dottie began to eat.

Chang Li placed a cup of steaming coffee before Wilda. Delighted, she sipped the strong brew. In an effort to appease her raging hunger and to give her hands a task, she tackled her stew, a meaty concoction well seasoned with pepper and tasting of wild onions.
She finished it off quickly, along with the dark, yeasty bread.

"The lady has a healthy appetite," Dottie commented.
Wilda glanced around the table. Her bowl was the only empty one. Her cheeks took on new fire. Intense hunger had caused her to forget her manners.

"Everything is so delicious," she said lamely.
Hal and Dottie laughed at her flustered explanation, attracting attention of the miners seated nearby. The men stared at her with interest. One man's openly lascivious grin made Wilda's flesh crawl. She quickly looked away from him, right into Hal's unreadable gaze. After a moment in which her heart thumped wildly, he turned back to his stew.

Looking beyond the heads turned her direction, Wilda saw the evening sky through windows draped with forest green tapestry over sheer curtains of lace. A wide opening to the kitchen revealed the cook stirring a steaming pot on the massive black cooking stove.

The men began leaving the tables, slapping each other on the back, and politely tipping their hats to Wilda. She smiled at the courtesy.

Uh-oh. My mistake.

A toothless man whose shaggy growth of beard partially hid a wide grin separated himself from the group and headed for their table. Hal and Ace both came to attention.

"Evenin' Miss," the miner said, and preened. "Josh Buckston, at your service."
Hal narrowed his eyes at Wilda. She ducked her head, but tuned her ears to listen.

"Looks like the lady's finished with her food," Josh said, apparently for Hal's benefit. "Would you care to step out on the porch with me for a nice breath of fresh air?"
Wilda glanced up before she heard Hal gritting his teeth. "The lady's taken, Buckston," he warned.

"Can't blame a man for trying," Josh said, backing away.
He joined his friends waiting for him near the door. The men leaned in close to hear what he had to say, then stared back over their shoulders at Hal, who raked the cluster of men with a heated look.

Once the group had sauntered out, Hal turned to her, a small smile softening his features. 

"I'm sorry, Miss Stone," he said. "These men don't often have the occasion to see a pretty woman. I forgot how forward they tend to act at times."

Hal possessed way more gall than Josh Buckston. She was quite capable of speaking for herself. He might at least have given her the opportunity to turn aside the miner's attention, but no. He'd warned her not to speak to the men.

Well, she wouldn't allow Hal's presumptuous rules to run her life. While no one previously crossing her path had showed any interest in taking her out, the miner who'd approached their table didn't hold any appeal to Wilda. She let her gaze travel about the room, much aware of everyone observing her every move from across the dining hall. She didn't see one she'd care to sit with. Certainly none she'd choose to walk with along a dark road.
Besides, not a man in the room held a candle to Hal. She glanced at him, now deeply involved in whispered conversation with Dottie.

He grimaced and a tiny frown marred the smoothness of his forehead. Somewhere, he'd taken the time to shave and slick his dark hair. It skimmed the collar of his newly laundered black shirt. She was aware of the shirt's aroma, lye soap and the scent of what she supposed was bay rum.

Hal glanced up and caught her smiling. His frown deepened into an aggravated scowl. He shook his head at something Dottie said, but continued to stare at Wilda, trying to communicate some unspoken message she failed to interpret.

Perhaps he'd guessed her thoughts. At the strong possibility, Wilda looked away, flushing, but his words replayed in her mind, and the way he'd looked at her when he referred to her as a pretty woman.

Another group of diners entered and Chang Li soundlessly scurried about, clearing tables and arranging clean place settings of tin utensils.

One of the new arrivals failed to take a seat, choosing instead to head directly toward the table where Wilda and her companions sat. A determined gleam flashed from his eyes, a cocky self-assurance his unwashed face and hands proved unjustified.
At the last minute, he dragged his hat from his head and came to a halt opposite her. He hesitated and squashed his hat against his chest. 

"Miss, you've done run off with my heart. Marry up with me?"

The miner's flowery speech triggered a grin Willa thought best she swallow. Beside her, Hal stiffened then cleared his throat. Fists clenched, his body half out of the chair, Hal announced to the entire room, "Miss Stone is promised to me."


Want More?? 

Try her link!
 www.ToniNoelAuthor.com



Sunday, October 16, 2011

Welcome Author Toni Noel as She Discusses Her Latest Book 'Decisive Moments'


Scribal Love Welcomes Toni Noel!








Toni Noel is an author of contemporary romance and romantic suspense.  Her newest release, Decisive Moments, is available for download from Desert Breeze Publishing. 


What is the name of your latest book?  And how did you come up with the title? 


There are many Decisive Moments in life, times when a life hangs in the balance, times when the heart is at risk, the moments that drag before a lost child is found. For the characters in my latest book, those moments are life-changing and heart-wrenching.


What is this book about?  And what genre is this book in?


My dark romance is about a gutsy photographer and the reclusive architect preventing her from photographing his boarded up house. She needs those photographs to complete her graduate project and earn her Masters Degree in Fine Art. With this degree the young widow will be able to support her young daughter, but the architect refuses to enter his home, scene of childhood trauma, and denies the headstrong photographer's request. She takes matters into her own hands, causing the architect to face Decisive Moments from his past.  


How long have you been writing in this genre?


I've been writing romance for sixteen years, some of my novels are sweet, some scary, but all have happy endings providing the reader with a safe haven for the heart, the kind of books I like to read. Three books are available now, three more will be released in 2012.


Who is/are the main characters?  And why did you choose them?

Amy Millington's pilot husband had no idea she'd conceived his child when his fighter plane crashed in the Nevada desert. Now five-year-old Marta is on a daddy search. Amy has no intention of ever remarrying, but Marta decides the architect who took an instant dislike to her mother will make the perfect husband and father for them. It's obvious the architect is unhappy, and Amy is drawn to the somber man the same way something she doesn't understand draws her back to his boarded up house. Does her daughter Marta hold the key to unlocking the mystery that has made Charles Harding's life so bleak all these years?  


Where did the idea for your book come from?


On the way to lunch at our favorite Mexican restaurant we passed a boarded up brick mansion in Mission Hills. Days later, I still couldn't get that house out of my mind.


In your opinion, what makes a good story?


I like believable stories with believable characters who do surprising or unbelievable things and create seemingly insurmountable problems only resolved when their two hearts work as one.  


Can you give us a quick taste of what’s inside?  


Excerpt -- Decisive Moments -- the end of the first-meet scene.


Anger -- or was it something else -- flared in his eyes as he stood. "There is no chance of you ever photographing my house," Charles said, a note of finality in his voice.
"Here's my card, in case you change your mind."
He slid the card into his desk without a glance. "I won't."
Amy tucked her purse under her arm and headed for the door. Across the room a burst of buttercup yellow caught her eye. Her own reflection in glass. The only spot of color in the dreary room was her best suit.

Do you have anything specific you would like to say to your readers?


Dark novels do not have to be depressing. In writing this book I believe I've found ways to draw the reader in and keep him/her engaged in the story while the dark secrets unfold.  


Where can we find you on the web?






Visit my website: http://www.ToniNoelAuthor.com
Follow my Blog: http://www.toninoelauthor.com/blog.html
And on Twitter: http://twitter.com/#!/ToniNoelWriter


Bio



Toni Noel is the author of three eBooks released by Desert Breeze Publishing, Inc, and three more to be released in 2012. She retired in 1995 as Senior Accountant for a government contractor to write full time, unaware how little she knew about fiction writing and how much she'd need to learn.


She worked so hard at getting her name into print the San Diego Chapter of Romance Writers of America awarded her a banner reading "Rejection builds character" commemorating the month she received three rejection letters in one day.


A firm believer in perseverance and keeping the faith, Toni made her first eBook sale in 2009 and couldn't be happier seeing her name in print on the covers of her eBooks she downloaded to her Nook.


Blurb:



To satisfy the requirements for her Master's Degree in fine art photography, Amy Millington needs to photograph Charles Harding’s childhood home, but his boarded-up-house holds painful memories for Charles. Without those photographs Amy cannot secure her young daughter Marta's future. Charles denies the gutsy widow's request. Her efforts to show him how to have fun lead him to allow her to photograph his home. Then Marta gets lost and Charles must help search his house for her. He finds Marta and his mother's long-lost suicide note. Knowing the reason his mother shot his father, then turned the gun on herself, frees Charles from his past, but can he free Amy from her painful past and teach her to love again?

Excerpt


The receptionist on a mission to block her path was no match for Amy Millington. On a mission herself, she darted past.

Her destination loomed ahead, the two closed mahogany doors leading to the office of Charles A. Harding, Architect.

So far, so good.

Now to outsmart the sedately dressed secretary seated at the desk just outside those doors. This formidable woman screened the architect's calls and had, on a daily basis for the last two months, refused Amy's request for an appointment.

Failure to accomplish her mission meant postponing graduation for six more months. No way. Too much was riding on her master's degree. Maybe even a Guggenheim Fellowship. Amy's new career, for sure, and with it, a secure future for her daughter. No way would she allow Harding's secretary to stop her now.

Taking a deep breath, Amy charged around the woman's desk to the doors and yanked, sending one crashing back against the wall.

The dark-haired man seated behind a massive desk looked up, surprised. His finely tailored suit matched the toasted pecan color of his eyes. His white shirt seemed almost too harsh for his silk tie softly patterned in rust and bark.

Amy's heart beat erratically, making her lightheaded right when she needed to be at her best. She didn't have much time. Building security would show up soon.

She met the man's unreadable gaze and forced her best smile. Three more strides brought her close enough to inhale the woodsy scent of his aftershave. "Mr. Harding, I--"

His threshold guard interrupted. "I'm sorry, Mr. Harding. This young woman wouldn't stop."

He frowned, but a hint of curiosity lit his eyes. "Never mind, Julia." He nodded at his secretary and she left the room, though Amy noticed she didn't close the door.

Then he returned his attention to the blueprints on his desk. The nerve of him. Like a naughty child in the principal's office, he made her wait.

A fresh wave of irritation at all her wasted time washed over her. Weeks of thwarted attempts to see this illusive man, and what did he do once she'd breached his gates? 

Ignored her best smile. Ignored the stylish suit she'd purchased just for this moment, a suit bought with money she'd managed to cut from her school supply budget over the last six months. It looked like she wouldn't earn a second glance from this reclusive architect.

Finally he stopped shuffling the blueprints, rolled them up and stood. "Five minutes."

She extended her hand, ignoring his cold demeanor. "My name is Amy Millington." When he reluctantly offered his, she shook his hand, an artist's hand with long fingers, his smooth, uncallused palm unexpectedly warm.

"Charles Harding, but of course you know that."

Yes, she knew his name, and a lot more about him, thanks to her research. His presence seemed to fill the spacious room, crowding her. His quick gesture indicated she should take the chair near his desk. She sat, welcoming the chance to catch her breath and corral her thoughts.

He took his seat and cleared the space before him of work, giving her a moment to study him unobserved.

A stray curl tumbled over his forehead when he glanced down at his work, giving him a boyish look. He was definitely more good-looking than any photos she'd found of him, but he looked older than his years, and almost sad.

"So, Miss Millington, what's so important you couldn't wait for an appointment?"

"I wanted an appointment, but your secretary has refused to give me one each time I called. She insisted you were unavailable, that you would never make time to see me."

"Julia simply carries out my instructions." He opened a drawer, took out a yellow pad and slid the drawer shut. "What brings you to my office? Are you interested in building a home?"

Amy glanced at the framed renderings on the wall behind him. All were of rather sterile, contemporary dwellings built of stone and glass. Her artistic eye rebelled at those cold images created by the man seated across from her.

"House plans are not what I had in mind." She steadied her nerves and plunged on as she felt her five minutes ticking away. "I'm a grad student at UCSD just weeks from completing a master's degree in visual arts. Photographing architecture is my main emphasis. I came because of my interest in your great-grandfather's home designs."

Harding's frown returned so she hurried on. "He built six homes in Mission Hills. I've studied those designs, and over the past few months I've photographed the interiors of five of those homes as part of my graduate project. There's only one I still need. The house you own on Harding Road. At one time the man living there gave me permission to photograph the interior, but I'm now unable to reach him."

She watched as the architect's lips drew into a tight line, hardening his expression. A mouth revealed so much about a man.

With a deft motion, he slid open the drawer and stuffed the yellow pad inside. "I'm afraid what you're about to propose is impossible. The uncle you spoke to died." Harding came to his feet, ready to kick her out.

"But surely--"

"No." A muscle twitched in his strong jaw. "Five houses should be sufficient for your needs."

"Not photographing the sixth house will make my study incomplete. Please, could I--"
Irritation flashed in his eyes. "No one goes inside."

Why? It didn't make sense.

All right, time to try something else. "I'm sure you know the first C. A. Harding included ingenious details in his designs." To Amy's relief, his stiff stance relaxed a fraction.

"One interesting part of my research involved discovering the secret hidden in each of the homes he helped build. The house with the dumb waiter to the master bedroom is my favorite."

As if surprised to discover himself standing, Harding eased back into his chair.
Almost made him smile. Good. Maybe she could reach the real man beneath this hard shell. "Or maybe it's the house on Dixon Drive where shrubbery hides the outside stairs leading from the garden to the eldest son's bedroom."

Amazingly, Harding's sculpted lips twitched into a smile. What a difference a grin made in his looks. Gone was the grim set of his jaw, the skeptical frown. A cleft in his chin appeared. What could have made this handsome man so dour? So serious? Charles Harding needed to learn how to lighten up.

Ignoring the sudden tripping of her heartbeat as she realized she was staring at him, she hurried on. "I can just picture an adolescent son sneaking in late at night, no need to remove his shoes."

Leaning forward, Amy met the architect's gaze and smiled. "What about you? Are surprises hidden in your designs?"

"I'm more concerned with function. With practicality. My clientele demands modern efficiency for their money, clean lines and easy care. Hidden passageways are remnants of another time."

"That may be true, but what romantic times they were. Have you asked your clients if they might prefer something more imaginative? A design with a few soft curves to soften all the cold stone and glass?"

"What might seem appropriate in your art would be considered impractical in modern homes."

Modern designs held no appeal for her she'd learned. "Now, about photographing your house..."

Anger -- or was it something else -- flared in his eyes as he stood. "There is no chance of you ever photographing my house," he said, a note of finality in his voice.

"Here's my card, in case you change your mind."

He slid the card into his desk without a glance. "I won't."

She tucked her purse under her arm and headed for the door. Across the room a burst of buttercup yellow caught her eye. Her own reflection in glass. The only spot of color in the dreary room was her best suit.






Here's a buy link for Decisive Moments so you can discover if there really is a ghost living in Charles' boarded up house.     


http://stores.desertbreezepublishing.com/-strse-template/Toni%20Noel/Page.bok  
Or at Barnes and Noble, Amazon, Kobo, Apple's Bookstore, All Romance eBooks.